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"Shall We Call Home Our Troops?" (1875)
Wood engraving by Thomas Nast from Harper's Weekly depicting the reaction of the radical South toward African Americans after the North does not follow up their promises.
![Reaction of radical South toward Negro after North does not follow up her promises to the Negro.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1875_ShallWeCallHomeOurTroops_FH140922_0.png?h=e9b139c1&itok=V7N6KFpC)
"The Birth of a Nation" Summarizes Reconstruction
Title cards, or intertitles, from The Birth of a Nation, a 1915 film portraying D.W. Griffith's racist vision of life in the South during the Civil war era.
![Title cards, or intertitles, from The Birth of a Nation, a 1915 film portraying D.W. Griffith's racist vision of life in the South during the Civil war era.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1915_TheBirthofaNationtitlecardsdescribingReconstruction_FH2169421.png?h=ca3390b1&itok=EdxwGVd6)
A General Store Interior in Moundville, Alabama
This photo of the interior of an Alabama general store was taken in the summer of 1936.
![An old country store contains sacks of food and other items for purchase.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/4_General_store_interior%2C_Moundville%2C_AL.jpg?h=987fc4f6&itok=eilmO6C6)
African American man Farming in Mississippi, 1936
Near Tupelo, Mississippi, an African American man farms in a field, 1936.
![FARMING IN TULEPO, MISSISSIPPI](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/1936_FarmingInTulepoMississippi_FH131404.png?h=64610b7d&itok=W_5P0-Gw)
“Emancipation” (1865)
Thomas Nast's celebration of the emancipation of Southern slaves with the end of the Civil War. Nast envisions a somewhat optimistic picture of the future of free blacks in the United States.
![Thomas Nast's celebration of the emancipation of Southern slaves with the end of the Civil War.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1865_Emancipation_FH2125837.jpg?h=6ed13ab3&itok=UPAlxuxC)
Glenn Ligon, Untitled - Four Etchings [D]
In this second black-on-black etching, Glenn Ligon also uses Ralph Ellison's quote from the prologue of his novel, Invisible Man (1952), though this one uses the complete quote, which ends "...figments of their imagination-indeed everything."
![Black on black etching that begins with "I am the Invisible Man…"](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/D11338_Medium_res_0.jpg?h=c978a40d&itok=EVvkRRuT)
Chilean Arpillera
Subversive women’s art created to express opposition to Chilean dictator Augusto Pinochet
This arpillera was created by Violeta Morales. The faceless figures next to the women represent the missing victims who dared to oppose Pinochet’s dictatorship in Chile, from 1973 to 1990. See full-sized image for analysis.
![An arpillera (a brightly colored patchwork picture quilt) of women and dark silhouettes of figures.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1973_ChileanArpillera_FH229562.jpg?h=e6c47265&itok=L_ADb4_0)
Flood Refugees in Line for Food
A long line of African Americans entering a building to receive food. During the Great Depression, African Americans line up for food at meal time in the camp for flood refugees. Forrest City, Arkansas.
![Possibly related to: Negroes in the lineup for food at meal time in the camp for flood refugees, Forrest City, Arkansas.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/2014_FloodRefugeesInLineForFood_FH131401.png?h=ce8ade45&itok=HoBCcD3n)