How It Feels to Be Colored Me
Zora Neale Hurston describes her sense of identity and experience being a black woman in this 1928 essay.
![Author Zora Neale Hurston wearing a hat with her head turned to her right.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-09/Zora_Neale_Hurston_1938_Wikimedia_Commons.jpeg?h=8e4088dc&itok=sQRUzvvP)
Tableaux SVA
Aidez les élèves à évaluer ce qu’ils savent déjà sur un sujet et ce qu’ils veulent apprendre.
![Students writing on a paper.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/SL_190523_0789.jpg?h=c11c9c1d&itok=u07iF1Je)
Pardon/Franchise Engravings by Thomas Nast
Wood engravings by Thomas Nast depict the tension between the demands of healing and justice during the Reconstruction era.
![Centerfold prints show Columbia considering why she should pardon Confederate troops who are begging for forgiveness when an African American Union soldier with an amputated leg does not have the right to vote.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1865_PardonFranchiseColumbiaShallItrustthesemenandnotthisman_FH2125825.jpg?h=5d059bf2&itok=rLpFJ0P6)
"Shall We Call Home Our Troops?" (1875)
Wood engraving by Thomas Nast from Harper's Weekly depicting the reaction of the radical South toward African Americans after the North does not follow up their promises.
![Reaction of radical South toward Negro after North does not follow up her promises to the Negro.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1875_ShallWeCallHomeOurTroops_FH140922_0.png?h=e9b139c1&itok=V7N6KFpC)