Resource Library
Find compelling classroom resources, learn new teaching methods, meet standards, and make a difference in the lives of your students.
We are grateful to The Hammer Family Foundation for supporting the development of our on-demand learning and teaching resources.
![A group of high school students sit at desks in conversation.](/sites/default/files/styles/scale_480/public/2023-10/AdobeStock_254378868.jpg?itok=f6YAphey)
Introducing Our US History Curriculum Collection
Draw from this flexible curriculum collection as you plan any middle or high school US history course. Featuring units, C3-style inquiries, and case studies, the collection will help you explore themes of democracy and freedom with your students throughout the year.
Pardon/Franchise Engravings by Thomas Nast
Wood engravings by Thomas Nast depict the tension between the demands of healing and justice during the Reconstruction era.
![Centerfold prints show Columbia considering why she should pardon Confederate troops who are begging for forgiveness when an African American Union soldier with an amputated leg does not have the right to vote.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1865_PardonFranchiseColumbiaShallItrustthesemenandnotthisman_FH2125825.jpg?h=5d059bf2&itok=rLpFJ0P6)
"Of Course He Votes the Democratic Ticket" (1876)
A political cartoon by Thomas Nast from Harper’s Weekly depicts the intimidation techniques that the Democratic Party used to suppress the votes of Black Southerners in the election of 1876.
![This cartoon depicts the intimidation techniques that the Democratic Party used to suppress southern black votes in the election of 1876.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/Civil_Rights_1876_OfCourseHeVotesDemocraticTicket_FH140924.jpg?h=048697cd&itok=yGulA3CJ)
"Of Course He Votes the Democratic Ticket” (en español)
Wood engraving by Thomas Nast from Harper’s Weekly (1876)
![This cartoon depicts the intimidation techniques that the Democratic Party used to suppress southern black votes in the election of 1876.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/Civil_Rights_1876_OfCourseHeVotesDemocraticTicket_FH140924.jpg?h=048697cd&itok=yGulA3CJ)
Edith Cavell Propaganda Poster
A British propaganda poster depicting the execution of Edith Cavell in 1915.
![Illustration of a German soldier holding a gun stands over a dead woman. The text reads, "Miss Edith Cavell murdered October 12th, 1915. Remember!"](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Edith%20Cavell%20Propaganda%20Poster.jpg?h=c4842d71&itok=60RifXb-)
Police Officer in Ferguson
A member of the St. Louis County Police fires tear gas during demonstrations in Ferguson, Missouri, on August 18, 2014.
![Picture of Police Officer in Ferguson.](/sites/default/files/styles/dynamic_stack_296_1x/public/2023-01/71_Police.jpg?h=32b60151&itok=99j1rWDu)
Peaceful Protest in Ferguson
Peaceful demonstrators gather in Ferguson, Missouri, in the aftermath of Michael Brown’s death.
![Picture of a Peaceful Protest in Ferguson.](/sites/default/files/styles/dynamic_stack_296_1x/public/2023-01/73_Protest.jpg?h=e451c7a6&itok=ti5j8GGX)
"Shall We Call Home Our Troops?" (1875)
Wood engraving by Thomas Nast from Harper's Weekly depicting the reaction of the radical South toward African Americans after the North does not follow up their promises.
![Reaction of radical South toward Negro after North does not follow up her promises to the Negro.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1875_ShallWeCallHomeOurTroops_FH140922_0.png?h=e9b139c1&itok=V7N6KFpC)
"The Birth of a Nation" Summarizes Reconstruction
Title cards, or intertitles, from The Birth of a Nation, a 1915 film portraying D.W. Griffith's racist vision of life in the South during the Civil war era.
![Title cards, or intertitles, from The Birth of a Nation, a 1915 film portraying D.W. Griffith's racist vision of life in the South during the Civil war era.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1915_TheBirthofaNationtitlecardsdescribingReconstruction_FH2169421.png?h=ca3390b1&itok=EdxwGVd6)
Battle of the Somme Film
From the 1915 propaganda film The Battle of the Somme showing a soldier rescuing a comrade under fire. Although the documentary included staged scenes, this frame was taken from a real combat scene.
![A Still image from the 1915 propaganda film The Battle of Somme. A World War I soldier carries a body on his back.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/The_Battle_of_the_Somme_film_image2.jpg?h=8e8edc7c&itok=lXwsRCvH)
"The Anti-Chinese Wall" Cartoon
This 1882 cartoon shows stereotypical imagery of laborers, among whom are Irishmen, an African American, a Civil War veteran, Italian, Frenchman, and a Jew, building a wall against the Chinese.
![This 1882 cartoon shows stereotypical imagery of laborers, among whom are Irishmen, an African American, a Civil War veteran, Italian, Frenchman, and a Jew, building a wall against the Chinese.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1882_TheAntiChineseWall_FH2168777.png?h=49e1352e&itok=87tPdNc2)