Resource Library
Find compelling classroom resources, learn new teaching methods, meet standards, and make a difference in the lives of your students.
We are grateful to The Hammer Family Foundation for supporting the development of our on-demand learning and teaching resources.
![A group of high school students sit at desks in conversation.](/sites/default/files/styles/scale_480/public/2023-10/AdobeStock_254378868.jpg?itok=f6YAphey)
Introducing Our US History Curriculum Collection
Draw from this flexible curriculum collection as you plan any middle or high school US history course. Featuring units, C3-style inquiries, and case studies, the collection will help you explore themes of democracy and freedom with your students throughout the year.
Pardon/Franchise Engravings by Thomas Nast
Wood engravings by Thomas Nast depict the tension between the demands of healing and justice during the Reconstruction era.
![Centerfold prints show Columbia considering why she should pardon Confederate troops who are begging for forgiveness when an African American Union soldier with an amputated leg does not have the right to vote.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1865_PardonFranchiseColumbiaShallItrustthesemenandnotthisman_FH2125825.jpg?h=5d059bf2&itok=rLpFJ0P6)
"Of Course He Votes the Democratic Ticket" (1876)
A political cartoon by Thomas Nast from Harper’s Weekly depicts the intimidation techniques that the Democratic Party used to suppress the votes of Black Southerners in the election of 1876.
![This cartoon depicts the intimidation techniques that the Democratic Party used to suppress southern black votes in the election of 1876.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/Civil_Rights_1876_OfCourseHeVotesDemocraticTicket_FH140924.jpg?h=048697cd&itok=yGulA3CJ)
"Of Course He Votes the Democratic Ticket” (en español)
Wood engraving by Thomas Nast from Harper’s Weekly (1876)
![This cartoon depicts the intimidation techniques that the Democratic Party used to suppress southern black votes in the election of 1876.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/Civil_Rights_1876_OfCourseHeVotesDemocraticTicket_FH140924.jpg?h=048697cd&itok=yGulA3CJ)
"Shall We Call Home Our Troops?" (1875)
Wood engraving by Thomas Nast from Harper's Weekly depicting the reaction of the radical South toward African Americans after the North does not follow up their promises.
![Reaction of radical South toward Negro after North does not follow up her promises to the Negro.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1875_ShallWeCallHomeOurTroops_FH140922_0.png?h=e9b139c1&itok=V7N6KFpC)
"The Birth of a Nation" Summarizes Reconstruction
Title cards, or intertitles, from The Birth of a Nation, a 1915 film portraying D.W. Griffith's racist vision of life in the South during the Civil war era.
![Title cards, or intertitles, from The Birth of a Nation, a 1915 film portraying D.W. Griffith's racist vision of life in the South during the Civil war era.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1915_TheBirthofaNationtitlecardsdescribingReconstruction_FH2169421.png?h=ca3390b1&itok=EdxwGVd6)
A Cabin in Hale County, Alabama During the Great Depression
A cabin where an African American family lived, in Hale County, Alabama during the Great Depression.
![A cabin where an African American family lived, in rural Hale County, Alabama during the Great Depression.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/5_Negro_cabin%2C_Hale_County%2C_AL.jpg?h=54dfc285&itok=Oh_qn6Vu)
A General Store Interior in Moundville, Alabama
This photo of the interior of an Alabama general store was taken in the summer of 1936.
![An old country store contains sacks of food and other items for purchase.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/4_General_store_interior%2C_Moundville%2C_AL.jpg?h=987fc4f6&itok=eilmO6C6)
Bud Fields and Family
Sharecropper Bud Fields and his family at their home in Hale County, Alabama, in the mid-1930s.
![Three adults and three children pose for the photo in a small room, circa mid-1930s.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/3_Bud_Fields_and_his_family_--_Alabama_Sharecroppers.jpg?h=df3f433b&itok=Ah5ayqiO)
“Emancipation” (1865)
Thomas Nast's celebration of the emancipation of Southern slaves with the end of the Civil War. Nast envisions a somewhat optimistic picture of the future of free blacks in the United States.
![Thomas Nast's celebration of the emancipation of Southern slaves with the end of the Civil War.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1865_Emancipation_FH2125837.jpg?h=6ed13ab3&itok=UPAlxuxC)
Cross Lake Indian Residential School
Although government funded, the residential schools were operated by churches, with clergymen and women serving most teaching and administrative roles. This photo was taken at Cross Lake Indian Residential School in Manitoba, 1940.
![A nun stands in the back of a classroom, and children are posed sitting at desks with their hands folded.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1940_CrossLakeIndianResidentialSchool_FH24275.jpg?h=a20ec326&itok=iaf787eD)
Pensionnat autochtone de Cross Lake
Même si le gouvernement les finançait, les pensionnats autochtones étaient opérés par les églises et les membres du clergé remplissaient la plupart des fonctions pédagogiques et administratives. Cette photo fut prise au pensionnat autochtone de Cross Lake au Manitoba en 1940.
![A nun stands in the back of a classroom, and children are posed sitting at desks with their hands folded.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1940_CrossLakeIndianResidentialSchool_FH24275.jpg?h=a20ec326&itok=iaf787eD)