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Facing History’s unique approach combines adaptable teaching materials, professional learning, and ongoing support to equip teachers with the tools and practices they need to help students fully engage in their learning. Our continuously growing collection of resources are designed to promote academic rigor, social-emotional learning, and create connections between the complexities of history and today.
![Students in library working on computers](/sites/default/files/styles/scale_480/public/2022-06/NewEngliand_Classroom_2017_FH256215.jpg?itok=p4JAMIWN)
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3302 Results
1932 German Election Ballot (en español)
The 1932 German election ballot featured 36 parties, many of which existed only on paper. The number of different groups made it difficult for any single party to gain a majority in parliament in the Weimar Republic. This resource is in Spanish.
![A sample 1932 German Election ballot. A long page with a list of items to vote on, in German text.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Bundesarchiv_B_145_Bild-P046291%2C_Berlin%2C_Reichstagswahl%2C_Wahlzettel_Medium_res.jpg?h=64aaa142&itok=H6JurCwa)
The Artist and His Mother by Arshile Gorky
This image, which is on the cover of Facing History's publication Crimes Against Humanity and Civilization: The Genocide of the Armenians was painted by the artist Arshile Gorky. It is based on a photograph of Gorky and his mother, Sushan der Marderosian, taken in 1912. Although Gorky is generally identified as an American artist, he was born Vosdanig Adoian near the city of Van in what was then the Ottoman Empire. A few years after the photograph was taken, Gorky and his mother were victims of the Armenian Genocide. While he survived, Gorky remembers his mother dying in his arms. As an artist Gorky returned to the subject of the 1912 photograph many times throughout his career.
![Painting of artist Arshile Gorky and his mother.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-09/GenocideOfTheArmeniansArshileGorky.jpeg?h=83a548ea&itok=vPFn3ux0)
The Artist and His Mother by Arshile Gorky (en español)
This image, which is on the cover of Facing History's publication Crimes Against Humanity and Civilization: The Genocide of the Armenians was painted by the artist Arshile Gorky. It is based on a photograph of Gorky and his mother, Sushan der Marderosian, taken in 1912. Although Gorky is generally identified as an American artist, he was born Vosdanig Adoian near the city of Van in what was then the Ottoman Empire. A few years after the photograph was taken, Gorky and his mother were victims of the Armenian Genocide. While he survived, Gorky remembers his mother dying in his arms. As an artist Gorky returned to the subject of the 1912 photograph many times throughout his career. This resource is in Spanish.
![Painting of artist Arshile Gorky and his mother.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-09/GenocideOfTheArmeniansArshileGorky.jpeg?h=83a548ea&itok=vPFn3ux0)
Julius Streicher, Publisher of Der Stürmer, Stands Trial in Nuremberg
Julius Streicher, publisher of Der Stürmer, an antisemitic newspaper, stands trial in Nuremberg on April 29, 1946.
![Candid side profile photograph of an older man with translation headphones on](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Julius_Streicher_Publisher_of_Der_St%C3%BCrmer_FH2169294.jpg?h=c81df639&itok=x6b6Jccr)
Kalecka Jewish Elementary School
Pupils in the second grade work in their classroom at the Kalecka Jewish elementary school in Warsaw, Poland, ca. 1937–1938.
![Teacher standing amongst young girls sitting at their desks](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Kalecka_Jewish_Elementary_School_%20FH2115441.jpg?h=e91a75a9&itok=syk7BTC0)
Police at Battle of Cable Street
Demonstrators barricaded the streets in London's East End where Fascist leader Oswald Mosley and the Blackshirts had planned a march.
![Police destroy barricades blocking the street from a fascist march](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/Police_at_the_Battle_of_Cable_Street_FH2116833.jpg?h=01b11b5d&itok=Y1sk-tjZ)
Pre-War Jewish Family
A Jewish family, possibly in Sighet, taken before the beginning of World War II, ca. 1930–1940.
![Family portrait with children, parents, and grandparents. Taken circa 1930-1940.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/Group_portrait_of_a_prewar_Jewish_family_FH260052.jpg?h=eb24755d&itok=WLbJ7yIT)
Brown Girl Dreaming
Through using free-verse poetry, the author shares her childhood memories of growing up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement.
![A girl leans against a wall while reading a book.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/iStock-1209693972.jpg?h=7bbcb45e&itok=b5N9XQ_7)
Steve Biko Calls for Black Consciousness
Activist Steve Biko’s speech links white racism to the Black Consciousness movement, calling on black South Africans to create their own power to fight oppression.
![Steve Biko spearheaded the Black Consciousness Movement (BCM) in South Africa from the mid 1960s until his death while in police custody in 1977.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/Democracy_2018_SteveBiko_FH282029.jpg?h=39c2980c&itok=RY4sYtvP)
What Is Ethical?: The Case of Polaroid
Consider the case study of Polaroid, in which opposing sides (Polaroid Revolutionary Workers Movement and Polaroid) voice their reasoning of whether or not to divest from South Africa.
![Caroline Hunter wears a “No Bullshit, Boycott Polaroid” campaign button.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/2018_CarolineHunterBoycottPolaroid_FH282021.jpg?h=7784dd4d&itok=AQ66r1aS)
Healing and Justice Anticipation Guide
This handout asks students to engage with some of the dilemmas that Americans faced after the Civil War by taking positions on various statements.
![Ruins in Charleston, South Carolina](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/Civil_Rights_Ruinsfromthefire1861_Charleston_1865_FH21222.jpg?h=f3a37c6e&itok=jW37ikF4)