Resource Library
Find compelling classroom resources, learn new teaching methods, meet standards, and make a difference in the lives of your students.
We are grateful to The Hammer Family Foundation for supporting the development of our on-demand learning and teaching resources.
![A group of high school students sit at desks in conversation.](/sites/default/files/styles/scale_480/public/2023-10/AdobeStock_254378868.jpg?itok=f6YAphey)
Introducing Our US History Curriculum Collection
Draw from this flexible curriculum collection as you plan any middle or high school US history course. Featuring units, C3-style inquiries, and case studies, the collection will help you explore themes of democracy and freedom with your students throughout the year.
League of German Girls
The League of German Girls was the girls' wing of the Nazi Party youth movement. A typical activity for members was to go on walks while their mothers were working
![The League of German Girls was the girls wing of the Nazi Party youth movement. A typical activity for members was to go on walks while their mothers were working.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Holocaust_LeagueGermanGirls_FH229440.jpg?h=cb9047e7&itok=XKNkvqOT)
League of German Girls in the Warthegau
After Germany conquered the Warthegau region of Poland, members of the League of German Girls moved there to help colonize and spread German culture.
![After Germany conquered the Warthegau region of Poland, members of the League of German Girls moved there to help colonize and spread German culture.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Holocaust_LeagueGermanGirlsWarthegau_%20FH229470.jpg?h=ba88677a&itok=tJvIvSBu)
Leopold Schmutzler, Working Maidens, 1940
This painting, Working Maidens by Leopold Schmutzler, was showcased by the Nazis at the 1940 Great German Art Exhibition in Munich.
![This painting, Working Maidens by Leopold Schmutzler, was showcased by the Nazis at the 1940 Great German Art Exhibition in Munich.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Holocaust_1940_WorkingMaidens_%20FH229443.jpg?h=9b7248ed&itok=-VSRK6pU)
Glenn Ligon, Untitled - Four Etchings [A]
In this white on black etching, Glenn Ligon repeats "I do not always feel colored," a phrase from Zora Neale Hurston's essay "How It Feels to Be Colored Me."
![Black ink etching on white paper with the words "I do not always feel colored" written repeatedly. The ink gets smudged and illegible toward the end](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/D11335_Medium_res.jpg?h=38731381&itok=Jh7iUy6T)
Glenn Ligon, Untitled - Four Etchings [B]
This black-on-white etching quotes Zora Neale Hurston's essay "How It Feels to be Colored Me."
![A black ink etching on white paper with the words, "I feel most colored when I am thrown against a sharp white background" repeatedly printed. The words smudge and get blacker at the end](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/D11336_Medium_res.jpg?h=a6843db5&itok=YsJY4iEp)
Glenn Ligon, Untitled - Four Etchings [C]
In this black-on-black etching, Glenn Ligon uses Ralph Ellison's quote from the prologue of his novel, Invisible Man (1952): "I am an invisible man. No, I am not a spook like those who haunted Edgar Allan Poe; nor am I one of your Hollywood-movie ectoplasms. I am a man of substance, of flesh and bone, fiber and liquids—and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me. Like the bodiless heads you see sometimes in circus side-shows, it is as though I have been surrounded by mirrors of hard, distorting glass. When they approach me they see only themselves, or figments of their imagina-"
![Black on Black etching that says, "“I am an invisible man. No, I am not a spook like those who haunted Edgar Allan Poe; nor am I one of your Hollywood-movie ectoplasms. I am a man of substance, of flesh and bone, fiber and liquids—and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me.”](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/D11337_Medium_res_0.jpg?h=c978a40d&itok=rRnW4TXY)
Glenn Ligon, Untitled - Four Etchings [D]
In this second black-on-black etching, Glenn Ligon also uses Ralph Ellison's quote from the prologue of his novel, Invisible Man (1952), though this one uses the complete quote, which ends "...figments of their imagination-indeed everything."
![Black on black etching that begins with "I am the Invisible Man…"](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/D11338_Medium_res_0.jpg?h=c978a40d&itok=EVvkRRuT)
Marketplace during Weimar's Hyperinflation
A woman takes a basket of banknotes to buy cabbage at a market during the 1923 hyperinflation in Weimar Germany.
![A woman takes a basket of banknotes to buy cabbage at a market during the 1933 hyperinflation in Weimar Germany.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/Ch04_Image11_Medium_res.jpg?h=743bf4af&itok=TikJcpxP)
Members of Sighet’s Jewish Community
Romanian Jews standing in front of a Synagogue before World War 2.
![Group portrait outside of a wooden synagogue](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Members_of_Sighet%E2%80%99s_Jewish_Community_FH260043.jpg?h=f83c6171&itok=ED05ruNK)
Mother and Child during Armenian Genocide
An Armenian mother and child flee persecution by the Turks at the height of the Armenian Genocide.
![A black and white photo of an Armenian woman carrying her child on her back.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Mother_and_Child_during_Armenian_Genocide_%20FH229402.jpg?h=9ff83bee&itok=vAxtRbZz)
National Socialism Election Poster
German election propaganda poster for the Prussian Landtag elections targeting the working class
![1930 poster of a masculine white farmer with a sack over his shoulder](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/National_Socialism_Election_Poster_FH229410.jpg?h=b12eb09c&itok=E_TgVnLD)