Resource Library
Find compelling classroom resources, learn new teaching methods, meet standards, and make a difference in the lives of your students.
We are grateful to The Hammer Family Foundation for supporting the development of our on-demand learning and teaching resources.
![A group of high school students sit at desks in conversation.](/sites/default/files/styles/scale_480/public/2023-10/AdobeStock_254378868.jpg?itok=f6YAphey)
Introducing Our US History Curriculum Collection
Draw from this flexible curriculum collection as you plan any middle or high school US history course. Featuring units, C3-style inquiries, and case studies, the collection will help you explore themes of democracy and freedom with your students throughout the year.
Truth and Reconciliation
Since the beginning of its work in 2010, the commission has been collecting information about what was done to survivors in the residential schools and has worked to make this information public. From this process, the survivors receive public, communal acknowledgement and support for years of injustice and suffering.
![Graphic from cover of "Stolen Lives: The Indigenous Peoples of Canada and the Indian Residential Schools."](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/SL_graphic5.png?h=bc3345c8&itok=_uc8CaVR)
Vérité et réconciliation
En 2010, la Commission pour la vérité et la réconciliation a commencé à recueillir des renseignements concernant l'expérience des Survivants et des Survivantes dans les écoles résidentielles et a déployé des efforts pour rendre ces renseignements publics. Ce processus a fourni aux Survivants et aux Survivantes une reconnaissance publique et commune de leurs nombreuses années d'injustice et de souffrance.
![Graphic from cover of "Stolen Lives: The Indigenous Peoples of Canada and the Indian Residential Schools."](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/SL_graphic5.png?h=bc3345c8&itok=_uc8CaVR)
The Charge of Genocide
In the 1990s, residential schools scholars and many indigenous leaders began to argue that the efforts of the Canadian government to assimilate the Indigenous Peoples in the residential schools embodied the principle of cultural genocide: assimilation was intended to destroy the Indigenous Peoples as culturally distinct group.
![Graphic from cover of "Stolen Lives: The Indigenous Peoples of Canada and the Indian Residential Schools."](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/SL_graphic5.png?h=bc3345c8&itok=_uc8CaVR)
L'accusation de génocide
Dans les années 1990, des chercheurs sur les pensionnats et de nombreux leaders autochtones ont commencé à affirmer que les efforts du gouvernement canadien pour assimiler les Peuples Autochtones dans les pensionnats incarnaient le principe du génocide culturel : l'intention de détruire les Peuples Autochtones en tant que groupe culturel distinct.
![Graphic from cover of "Stolen Lives: The Indigenous Peoples of Canada and the Indian Residential Schools."](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/SL_graphic5.png?h=bc3345c8&itok=_uc8CaVR)
Prime Minister Harper’s Apology
The apology is part of the process arranged by the government and the First Nations as parties to the agreement, part of an overall attempt to address the government’s role in the history of the Indian Residential Schools.
![Graphic from cover of "Stolen Lives: The Indigenous Peoples of Canada and the Indian Residential Schools."](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/SL_graphic5.png?h=bc3345c8&itok=_uc8CaVR)
Les excuses du premier ministre Harper
Les excuses faisaient partie du processus organisé par le gouvernement et les Premières Nations en tant que signataires de l'entente; il s'agissait d'une tentative d'aborder le rôle du gouvernement dans l'histoire des pensionnats autochtones.
![Graphic from cover of "Stolen Lives: The Indigenous Peoples of Canada and the Indian Residential Schools."](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/SL_graphic5.png?h=bc3345c8&itok=_uc8CaVR)
Red Scarf Girl
Ji-li Jiang, author of the memoir Red Scarf Girl, brings to life her deeply personal story of survival during China's Cultural Revolution.
![](/sites/default/files/brightcove/videos/images/posters/image_1442.jpg)
Becoming American: The Chinese Experience Part One - Gold Mountain Dreams
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The first of a 3-part series explores the early years of Chinese immigration to the U.S.
![](/sites/default/files/brightcove/videos/images/posters/image_1288.jpg)
Teaching Mockingbird: Images
These photographs were taken by Walker Evans in the 1930s for the Farm Security Administration of the United States Government. The government established the FSA to help document the reality and effects of the Great Depression on farmers and communities in the rural South.
![A cabin where an African American family lived, in rural Hale County, Alabama during the Great Depression.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/5_Negro_cabin%2C_Hale_County%2C_AL.jpg?h=54dfc285&itok=Oh_qn6Vu)
Whole-School Read Guide: Foster a Literacy Community
This planning guide will help you design and implement a Whole-School Read that centers students’ voices and experiences.
![Blue and purple toned books, view from above](/sites/default/files/styles/dynamic_stack_296_1x/public/2023-08/2022_WholeSchoolRead_FH2182314.jpg?h=a319f810&itok=mUSwGTPf)
Glenn Ligon's Untitled: Four Etchings
Artist Glenn Ligon created Untitled: Four Etchings using quotations from writer Zora Neale Hurston's essay, "How It Feels to Be Colored Me" and Ralph Ellison's novel Invisible Man.
![Artist Glenn Ligon created Untitled: Four Etchings [B] using a quotation from writer Zora Neale Hurston’s essay, “How It Feels to Be Colored Me.”](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/D15968_Medium_res.jpg?h=c15025bd&itok=EIHlZetq)