Resource Library
Find compelling classroom resources, learn new teaching methods, meet standards, and make a difference in the lives of your students.
We are grateful to The Hammer Family Foundation for supporting the development of our on-demand learning and teaching resources.
![A group of high school students sit at desks in conversation.](/sites/default/files/styles/scale_480/public/2023-10/AdobeStock_254378868.jpg?itok=f6YAphey)
Introducing Our US History Curriculum Collection
Draw from this flexible curriculum collection as you plan any middle or high school US history course. Featuring units, C3-style inquiries, and case studies, the collection will help you explore themes of democracy and freedom with your students throughout the year.
Mother and Child during Armenian Genocide
An Armenian mother and child flee persecution by the Turks at the height of the Armenian Genocide.
![A black and white photo of an Armenian woman carrying her child on her back.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Mother_and_Child_during_Armenian_Genocide_%20FH229402.jpg?h=9ff83bee&itok=vAxtRbZz)
The Artist and His Mother by Arshile Gorky
This image, which is on the cover of Facing History's publication Crimes Against Humanity and Civilization: The Genocide of the Armenians was painted by the artist Arshile Gorky. It is based on a photograph of Gorky and his mother, Sushan der Marderosian, taken in 1912. Although Gorky is generally identified as an American artist, he was born Vosdanig Adoian near the city of Van in what was then the Ottoman Empire. A few years after the photograph was taken, Gorky and his mother were victims of the Armenian Genocide. While he survived, Gorky remembers his mother dying in his arms. As an artist Gorky returned to the subject of the 1912 photograph many times throughout his career.
![Painting of artist Arshile Gorky and his mother.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-09/GenocideOfTheArmeniansArshileGorky.jpeg?h=83a548ea&itok=vPFn3ux0)
The Artist and His Mother by Arshile Gorky (en español)
This image, which is on the cover of Facing History's publication Crimes Against Humanity and Civilization: The Genocide of the Armenians was painted by the artist Arshile Gorky. It is based on a photograph of Gorky and his mother, Sushan der Marderosian, taken in 1912. Although Gorky is generally identified as an American artist, he was born Vosdanig Adoian near the city of Van in what was then the Ottoman Empire. A few years after the photograph was taken, Gorky and his mother were victims of the Armenian Genocide. While he survived, Gorky remembers his mother dying in his arms. As an artist Gorky returned to the subject of the 1912 photograph many times throughout his career. This resource is in Spanish.
![Painting of artist Arshile Gorky and his mother.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-09/GenocideOfTheArmeniansArshileGorky.jpeg?h=83a548ea&itok=vPFn3ux0)
Please Ring the Bell for Us
This cartoon, by Francis Knott for the Dallas Morning News, was published on July 7, 1939. It accompanied an editorial that described admitting refugee children to the United States as an “act of simple humanity."
![Children labeled "refugees" try to get into a door marked "US" as they look to a man labeled "Congress" for help.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/13_PleaseRingBell_Medium_res.jpg?h=870af43d&itok=7G_kpstt)
Rohingya Refugees
Hundreds of thousands of Rohingya refugees have fled persecution in Myanmar since 2017, often traveling to neighboring Bangladesh.
![Members of Myanmar's Rohingya ethnic minority walk through rice fields after crossing the border into Bangladesh near Cox's Bazar's Teknaf area, Tuesday, Sept. 5, 2017.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/2017_RohingyaRefugees_FH261963.jpg?h=c9f93661&itok=nEhl1UhO)
Tableau peint par George Catlin, 1832
Portrait peint d'un homme des Premières Nations en tenue traditionnelle.
![Painted portrait of a First Nation man in traditional attire.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/22_Catlin.jpg?h=ce934c5c&itok=dFptIN--)
Immigration in Texas
Immigrant women and children wait to enter the bus station after they were processed and released by U.S. Customs and Border Protection, Friday, June 22, 2018, in McAllen, Texas.
![Immigrant women and children wait to enter the bus station.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/2018_ImmigrantsinTexas_FH289810.jpg?h=6834cfb5&itok=lxF7ZoED)
Indigenous Canadian Woman on a Reserve
A portrait of an indigenous Canadian woman on a reserve, 1930.
![A woman stands in front of a small, run down wooden house.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Culture%26Identity_2015_Canadianwomanonreserve_FH24273.jpg?h=31c0c765&itok=QKtuMsIw)
Femme autochtone canadienne dans une réserve
Sur cette photographie se trouve une femme autochtone canadienne dans une réserve, 1930.
![A woman stands in front of a small, run down wooden house.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Culture%26Identity_2015_Canadianwomanonreserve_FH24273.jpg?h=31c0c765&itok=QKtuMsIw)
Somali Drought
A Somali soldier provides security as newly displaced Somalis gather at a camp in the Garasbaley area on the outskirts of Mogadishu, Somalia, March 28, 2017.
![A group of people in a camp in Somalia.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/2017_DisplacedSomalis_FH2117411.jpg?h=c9f93661&itok=QBQlm-zX)