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Take part in our learning community by exploring our wide array of resources. From compelling curriculum, to easy-to-apply teaching strategies, and engaging professional development events, we offer everything you need to transform the classroom experience.
Facing History’s unique approach combines adaptable teaching materials, professional learning, and ongoing support to equip teachers with the tools and practices they need to help students fully engage in their learning. Our continuously growing collection of resources are designed to promote academic rigor, social-emotional learning, and create connections between the complexities of history and today.
![Students in library working on computers](/sites/default/files/styles/scale_480/public/2022-06/NewEngliand_Classroom_2017_FH256215.jpg?itok=p4JAMIWN)
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Analysing Gerald’s Character
Students develop their understanding of the character Gerald, exploring the differences between his treatment of Eva/Daisy and Sheila, whilst reflecting on Edwardian gender expectations.
![Gold diamond ring.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-09/Gold_Diamond_Ring_FH2182326.jpg?h=56d0ca2e&itok=DYI_Ti6z)
Bearing Witness to Eva Smith
Students reflect on Priestley’s portrayal of Eva Smith and consider the symbolism of having a character who only appears in the narrative second-hand.
![Woman educator of color reads to the classroom.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-09/London_School_Classroom_Educator_%20of_Color_2019_FH2117924.jpg?h=56d0ca2e&itok=JbFgqzT_)
Building a Classroom Community
Students work together to create a contract with the aim of developing a reflective classroom community, which is conducive to learning and sharing.
![Uniformed high school students write at their desks.](/sites/default/files/styles/dynamic_stack_296_1x/public/2023-04/DSC08346_for_Web_or_Office_Use_0.jpg?h=c9f93661&itok=yDlh3Y7c)
Equality for All
Students explore some of the limitations of Reconstruction's transformation on US democracy and learn about groups who demanded that the promise of equality be made a reality.
![Seated portrait of women's voting rights advocate Susan B. Anthony.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/Ch02_Image05.png?h=498cfac0&itok=w8RpswXr)
The Cost of Labour
Students explore the moral codes of the world of the play, before being introduced to the concept of a universe of obligation and participating in a debate on workers’ rights.
![A sketch by Boardman Robinson of the New York Tribune depicting a miner emerging out of the earth with a pick axe and head seeking the light above.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-09/graphic_the_miner_emerges_%20FH2169297_0.png?h=0a09c077&itok=8r-ofs5x)
Enacting Freedom
Students consider what it means to be free by learning about the choices and aspirations of freedpeople immediately after Emancipation.
![Black students standing outside in front of a clapboard school house](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Civil_Rights_1900_The_School_at_Pinehurst_Summerville_SC_FH2174932.jpg?h=539e276e&itok=BkLqdaXv)
Western Imperialism and Nation Building in Japan and China
Students are introduced to the history of Western imperialism in East Asia and its influence on the identities and ambitions of Japan and China.
![An Ukiyo-e of the Utagawa school depicting foreigners in Japan, including Russians, Dutch, British, Americans, French and Chinese. A closeup of the Dutch, Americans and Chinese in the center of the picture](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/Foreign_nations_in_Japan.jpg?h=bb3745a7&itok=kNJq-Ev3)
Telling Our Histories
Students connect themes from the film to Chimamanda Ngozi Adichie's concept of “single stories," and then consider what it would take to tell more equitable and accurate narratives.
![View of people on a city street.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/2016_TellingOurHistories_card_FH2173875.jpg?h=ac1fc4d9&itok=2zsh7JUC)
Watching Who Will Write Our History
Students view the film, analyze a primary source from the Oyneg Shabes archive, and consider why it matters who tells the stories of the Jews in the Warsaw Ghetto.
![A man rolling up a scroll.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/2022_ScreenShot2022-06-10at10.11.31AM_FH2174132.jpg?h=ae1281eb&itok=llfRTLHU)
Developing Character Inferences
Students are introduced to the concept of inferencing; they draw inferences from the opening scene of the play, and consider what messages Priestley sends through the language, character and setting.
![Male uniformed British students work on a classroom assignment.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-09/UK_Classroom_Male_Uniformed_Students_Sikh_2015_FH137600.jpg?h=56d0ca2e&itok=OXt0jVSF)
Differing Perspectives and Conflict
Students begin Act Two of the play, reflecting on the differences in perception emerging between the characters and considering how conflict can arise from such differences.
![Boardman Robinson cartoon of Robert La Follette attacking newspaper press](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/411px-Boardman_Robinson_cartoon_of_Robert_La_Follette_attacking_newspaper_press.jpg?h=4666f868&itok=19Kmw8UP)