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Take part in our learning community by exploring our wide array of resources. From compelling curriculum, to easy-to-apply teaching strategies, and engaging professional development events, we offer everything you need to transform the classroom experience.
Facing History’s unique approach combines adaptable teaching materials, professional learning, and ongoing support to equip teachers with the tools and practices they need to help students fully engage in their learning. Our continuously growing collection of resources are designed to promote academic rigor, social-emotional learning, and create connections between the complexities of history and today.
![Students in library working on computers](/sites/default/files/styles/scale_480/public/2022-06/NewEngliand_Classroom_2017_FH256215.jpg?itok=p4JAMIWN)
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Maycomb's Ways: Setting as Moral Universe
Students explore how race, class, and gender create the moral universe that the characters inhabit in To Kill a Mockingbird.
![The exterior of a theatre called "Rex Theatre for Colored People."](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1937_theatreinlealandmississippi_FH248624.png?h=2d333439&itok=SYGt0BUt)
Scout as Narrator: The Impact of Point of View
Students consider how Harper Lee’s decision to tell To Kill a Mockingbird through the eyes of young Scout impacts readers' understanding of the novel.
![Mockingbird Graphic.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/WebRedesign_Wrapper-card_Mockingbird.jpeg?h=24afd704&itok=qskeXCqD)
After Charlottesville: Public Memory and the Contested Meaning of Monuments
Students investigate the role memorials and monuments play in expressing a society’s values and shaping its memory by studying existing memorials and then designing their own.
![Students participate in class.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/2017_5-1-17FacH08686_FH256875.png?h=a141e9ea&itok=k5PV8qJh)
Protesting Discrimination in Bristol
Students use the historical case study of the Bristol Bus Boycott to examine strategies for bringing about change in our communities.
![A commemorative plaque of the Bristol Bus Boycott showing a red building, a bus, and several people.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1963_BristolBusBoycottPlaque_FH2170722.jpg?h=329fef07&itok=qkRvRn6d)
Responding to the Rohingya Crisis
Students place this ongoing crisis in historical context, view footage from a refugee camp, and reflect on survivor testimony.
![Rohingya Muslims, who crossed over from Myanmar into Bangladesh, walk towards a refugee camp in Shah Porir Dwip, Bangladesh.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/2017_RohingyaRefugees_FH289817.jpg?h=780e8245&itok=G-_U-eVn)
Enacting Freedom
Students consider what it means to be free by learning about the choices and aspirations of freedpeople immediately after Emancipation.
![Black students standing outside in front of a clapboard school house](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Civil_Rights_1900_The_School_at_Pinehurst_Summerville_SC_FH2174932.jpg?h=539e276e&itok=BkLqdaXv)
Western Imperialism and Nation Building in Japan and China
Students are introduced to the history of Western imperialism in East Asia and its influence on the identities and ambitions of Japan and China.
![An Ukiyo-e of the Utagawa school depicting foreigners in Japan, including Russians, Dutch, British, Americans, French and Chinese. A closeup of the Dutch, Americans and Chinese in the center of the picture](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/Foreign_nations_in_Japan.jpg?h=bb3745a7&itok=kNJq-Ev3)
Telling Our Histories
Students connect themes from the film to Chimamanda Ngozi Adichie's concept of “single stories," and then consider what it would take to tell more equitable and accurate narratives.
![View of people on a city street.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/2016_TellingOurHistories_card_FH2173875.jpg?h=ac1fc4d9&itok=2zsh7JUC)
Watching Who Will Write Our History
Students view the film, analyze a primary source from the Oyneg Shabes archive, and consider why it matters who tells the stories of the Jews in the Warsaw Ghetto.
![A man rolling up a scroll.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/2022_ScreenShot2022-06-10at10.11.31AM_FH2174132.jpg?h=ae1281eb&itok=llfRTLHU)
Developing Character Inferences
Students are introduced to the concept of inferencing; they draw inferences from the opening scene of the play, and consider what messages Priestley sends through the language, character and setting.
![Male uniformed British students work on a classroom assignment.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-09/UK_Classroom_Male_Uniformed_Students_Sikh_2015_FH137600.jpg?h=56d0ca2e&itok=OXt0jVSF)
Differing Perspectives and Conflict
Students begin Act Two of the play, reflecting on the differences in perception emerging between the characters and considering how conflict can arise from such differences.
![Boardman Robinson cartoon of Robert La Follette attacking newspaper press](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/411px-Boardman_Robinson_cartoon_of_Robert_La_Follette_attacking_newspaper_press.jpg?h=4666f868&itok=19Kmw8UP)