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Facing History’s unique approach combines adaptable teaching materials, professional learning, and ongoing support to equip teachers with the tools and practices they need to help students fully engage in their learning. Our continuously growing collection of resources are designed to promote academic rigor, social-emotional learning, and create connections between the complexities of history and today.
![Students in library working on computers](/sites/default/files/styles/scale_480/public/2022-06/NewEngliand_Classroom_2017_FH256215.jpg?itok=p4JAMIWN)
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The Dangers of Being an Outsider
Students analyze a clip of poet Ada Limón on The Slowdown podcast and a poem by Hazem Fahmy to consider what’s at stake when someone is perceived as an outsider.
![Students in classroom (FH2109016)](/sites/default/files/styles/dynamic_stack_296_1x/public/2024-03/FHAO_2019_Summit_063.jpg?h=56d0ca2e&itok=ckoicFZO)
Navigating Social Hierarchies
Students analyze a short story by Misa Sugiura to consider the invisible barriers that divide “in” and “out” groups and how our efforts to seek belonging can conflict with our values.
![Students in classroom](/sites/default/files/styles/dynamic_stack_296_1x/public/2024-03/FHAO_2019_Summit_093.jpg?h=56d0ca2e&itok=WZKVs69w)
Negotiating Belonging in Trevor Noah’s Born a Crime
Students analyze a chapter from Trevor Noah’s memoir Born a Crime to consider how cultural, linguistic, and racial borders influence one’s sense of belonging.
![Student writes on Starburst Identity Chart](/sites/default/files/styles/dynamic_stack_296_1x/public/2024-03/230913-0035.jpg?h=2cea9ccb&itok=cXvQBaaF)
Belonging on Your Own Terms
Students explore what it means to seek belonging on their own terms, and in alignment with their values, by reading and discussing personal narrative essays.
![Students discuss in classroom](/sites/default/files/styles/dynamic_stack_296_1x/public/2024-03/20150813_TreyClark_0193.jpg?h=c6cb2754&itok=B5zupv_3)
Glenn Ligon, Untitled - Four Etchings [A]
In this white on black etching, Glenn Ligon repeats "I do not always feel colored," a phrase from Zora Neale Hurston's essay "How It Feels to Be Colored Me."
![Black ink etching on white paper with the words "I do not always feel colored" written repeatedly. The ink gets smudged and illegible toward the end](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/D11335_Medium_res.jpg?h=38731381&itok=Jh7iUy6T)
Glenn Ligon, Untitled - Four Etchings [B]
This black-on-white etching quotes Zora Neale Hurston's essay "How It Feels to be Colored Me."
![A black ink etching on white paper with the words, "I feel most colored when I am thrown against a sharp white background" repeatedly printed. The words smudge and get blacker at the end](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/D11336_Medium_res.jpg?h=a6843db5&itok=YsJY4iEp)
Flower or Weed?
To develop schema for the poem "Identity," students reflect on the pros and cons of being a flower or a weed.
![A bush of blooming red roses.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/bloomingredroses_FH2174430.jpg?h=790be497&itok=Bi-7cuYn)