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Take part in our learning community by exploring our wide array of resources. From compelling curriculum, to easy-to-apply teaching strategies, and engaging professional development events, we offer everything you need to transform the classroom experience.
Facing History’s unique approach combines adaptable teaching materials, professional learning, and ongoing support to equip teachers with the tools and practices they need to help students fully engage in their learning. Our continuously growing collection of resources are designed to promote academic rigor, social-emotional learning, and create connections between the complexities of history and today.
![Students in library working on computers](/sites/default/files/styles/scale_480/public/2022-06/NewEngliand_Classroom_2017_FH256215.jpg?itok=p4JAMIWN)
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Building a Classroom Community
Students work together to create a contract with the aim of developing a reflective classroom community, which is conducive to learning and sharing.
![Uniformed high school students write at their desks.](/sites/default/files/styles/dynamic_stack_296_1x/public/2023-04/DSC08346_for_Web_or_Office_Use_0.jpg?h=c9f93661&itok=yDlh3Y7c)
Equality for All
Students explore some of the limitations of Reconstruction's transformation on US democracy and learn about groups who demanded that the promise of equality be made a reality.
![Seated portrait of women's voting rights advocate Susan B. Anthony.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/Ch02_Image05.png?h=498cfac0&itok=w8RpswXr)
The Cost of Labour
Students explore the moral codes of the world of the play, before being introduced to the concept of a universe of obligation and participating in a debate on workers’ rights.
![A sketch by Boardman Robinson of the New York Tribune depicting a miner emerging out of the earth with a pick axe and head seeking the light above.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-09/graphic_the_miner_emerges_%20FH2169297_0.png?h=0a09c077&itok=8r-ofs5x)
Defining Our Obligations to Others
Students are introduced to the concept of universe of obligation to better understand how societies create "in" groups and "out" groups.
![A chalkboard with a hand-drawn Universe of Obligation diagram of concentric circles on it.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/IMG_8783.jpg?h=1f7c1d57&itok=ENXxhHAU)
Making Rights Universal
Students analyse four rights in the UDHR and decide whether they are universal and enjoyed by all in the world today.
![Eleanor Roosevelt sitting with two other men at a United Nations meeting in New York City](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/67-314.jpg?h=3eea986c&itok=BLv1D5o4)
After Charlottesville: Public Memory and the Contested Meaning of Monuments
Students investigate the role memorials and monuments play in expressing a society’s values and shaping its memory by studying existing memorials and then designing their own.
![Students participate in class.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/2017_5-1-17FacH08686_FH256875.png?h=a141e9ea&itok=k5PV8qJh)
Protesting Discrimination in Bristol
Students use the historical case study of the Bristol Bus Boycott to examine strategies for bringing about change in our communities.
![A commemorative plaque of the Bristol Bus Boycott showing a red building, a bus, and several people.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1963_BristolBusBoycottPlaque_FH2170722.jpg?h=329fef07&itok=qkRvRn6d)
Art, Imagination, and the Quest for Racial Justice
In this mini-lesson, students learn about the power of art as a tool for social change and explore how Black Lives Matter activists are using art in the fight for racial justice.
![Mural of two people with racial justice imagery and phrases](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/50062994798_f4f310d929_6k_fullres.jpg?h=42a1701c&itok=JtMN4aS7)
Developing Character Inferences
Students are introduced to the concept of inferencing; they draw inferences from the opening scene of the play, and consider what messages Priestley sends through the language, character and setting.
![Male uniformed British students work on a classroom assignment.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-09/UK_Classroom_Male_Uniformed_Students_Sikh_2015_FH137600.jpg?h=56d0ca2e&itok=OXt0jVSF)
Differing Perspectives and Conflict
Students begin Act Two of the play, reflecting on the differences in perception emerging between the characters and considering how conflict can arise from such differences.
![Boardman Robinson cartoon of Robert La Follette attacking newspaper press](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/411px-Boardman_Robinson_cartoon_of_Robert_La_Follette_attacking_newspaper_press.jpg?h=4666f868&itok=19Kmw8UP)
Entering the World of the Play
Students begin reading the play, having applied what they have learnt about Priestley and the relevant sociohistorical context to make predictions about its content.
![Simple illustration of a silhouetted woman against a cityscape that is comprised of soot from chimneys](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/AIC_USSR_Poster_Medium_res.jpg?h=1d36513c&itok=K2rjuqQJ)